We Love Our Customers
Overview
2018 – ongoing
(swipe right)
In 'We Love Our Customers’, Stefanie Moshammer explores clothing from various angles, playing with the perception of our contemporary consumer culture and brand imagery.
Starting with online research, Moshammer drew inspiration from so called “Shopping Haul" videos on platforms like YouTube, TikTok, and Instagram, where bargain hunters showcase their cheap finds.
She then embarked on a journey to investigate clothing's lifecycle, traveling to the US, particularly New York, known for overconsumption, and later to Haiti, where discarded Western clothing either serves the local population or ends up in landfills.
Using materials from these trips, as well as recycled materials from Europe, Moshammer worked on photographs and installations. She aimed to humorously simulate an aestheticized fashion image resembling a fashion editorial. Furthermore, Moshammer examined how technology and algorithms influence consumer decisions, incorporating computer-generated imagery to represent distorted consumer figures. She transformed these digital portraits into tangible 3D objects through analog processing, introducing deliberate imperfections to challenge the pursuit of perfection.
Throughout 'We Love Our Customers’, Moshammer deliberately manipulates both material and content.
The project offers a thought-provoking reflection on contemporary consumer culture and the evolving influence of the digital era.
Exhibitions:
2024/25 – Frauenmuseum Hittisau, AUT
2023/24 – MAK - Museum of Applied Arts, Vienna / AUT
2024 – Flutgraben, KUNZTEN show #3 Blossoming, Berlin / D
2023 – Künstlerhaus, Vienna / AUT
2023 – Belvedere21, Vienna / AUT
2022 – Solo - KUNST HAUS WIEN, Vienna / AUT
2022 – Solo - Yuan Art Museum, Tianjin / CHN
2021 – GMK Gallery, Zagreb / HRV
2019 – Solo - Modern Art Base, Shanghai / CHN
Exhibition view, Kunst Haus Wien, 2022
Video by Silvia Bertoldo
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Exhibition view, Kunst Haus Wien, 2022
Photo by Rudolf Strobl
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She‘s not alone she brings a garment, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm
Photo by Rudolf Strobl
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I love your nylon and polyester, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 80x80x10cm
I love your nylon and polyester, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 80x80x10cm
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Poems by, 2022, text on paper, 21 x 350 cm
Photos: Rudolf Strobl, Silvia Bertoldo
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He finds it hard to see the button, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm
He finds it hard to see the button, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm
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Makes Us Stronger, 2022, collected fabric remnants, yarn, steel, 110x90cm
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Bougie on a budget, 2022, chrome plated steel, rubber tires, 150 x 92 x 41cm
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Site-specific object, GMK Gallery Zagreb, 2021
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Exhibition view, GMK Gallery, Zagreb, 2021
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Exhibition view, GMK Gallery, Zagreb, 2021
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Bougie on a budget II, 2022, chrome-plated steel, rubber tires, 92x100x75cm
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Site-specific object, GMK Gallery Zagreb, 2021
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The scorpion likes to chase a care, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm
The scorpion likes to chase a care, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm
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Site-specific object, GMK Gallery Zagreb, 2021
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He finds it hard to see the pocket, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 80x80x10cm
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Exhibition view, Künsterlhaus Vienna
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Ever After, 2022, collected fabric remnants, yarn, steel, 70x70cm
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She is but a cute catwalk, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm
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Site-specific object, GMK Gallery Zagreb, 2021
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Exhibition view, Yuan Art Museum Tianjin China
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Exhibition view, Yuan Art Museum Tianjin China
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Site-specific object, Modern Art Base Gallery, Shanghai, 2019
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Site-specific object, GMK Gallery Zagreb, 2021
She is but a trendy deal, 2022, Full HD, color, sound, 15“39‘.
Video excerpt.
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