We Love Our Customers

Overview

2018 – ongoing
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In 'We Love Our Customers’, Stefanie Moshammer explores clothing from various angles, playing with the perception of our contemporary consumer culture and brand imagery.
Starting with online research, Moshammer drew inspiration from so called “Shopping Haul" videos on platforms like YouTube, TikTok, and Instagram, where bargain hunters showcase their cheap finds.
She then embarked on a journey to investigate clothing's lifecycle, traveling to the US, particularly New York, known for overconsumption, and later to Haiti, where discarded Western clothing either serves the local population or ends up in landfills.
Using materials from these trips, as well as recycled materials from Europe, Moshammer worked on photographs and installations. She aimed to humorously simulate an aestheticized fashion image resembling a fashion editorial. Furthermore, Moshammer examined how technology and algorithms influence consumer decisions, incorporating computer-generated imagery to represent distorted consumer figures. She transformed these digital portraits into tangible 3D objects through analog processing, introducing deliberate imperfections to challenge the pursuit of perfection.
Throughout 'We Love Our Customers’, Moshammer deliberately manipulates both material and content.
The project offers a thought-provoking reflection on contemporary consumer culture and the evolving influence of the digital era.


Exhibitions:

2023/24 – MAK - Museum of Applied Arts, Vienna / AUT
2024 – Flutgraben, KUNZTEN show #3 Blossoming, Berlin / D
2023 – Künstlerhaus, Vienna / AUT
2023 – Belvedere21, Vienna / AUT
2022 – Solo - KUNST HAUS WIEN, Vienna / AUT
2022 – Solo - Yuan Art Museum, Tianjin / CHN
2021 – GMK Gallery, Zagreb / HRV
2019 – Solo - Modern Art Base, Shanghai / CHN

Exhibition view, Kunst Haus Wien, 2022
Video by Silvia Bertoldo

Exhibition view, Kunst Haus Wien, 2022
Photo by Rudolf Strobl

She‘s not alone she brings a garment, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm
Photo by Rudolf Strobl

I love your nylon and polyester, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 80x80x10cm

I love your nylon and polyester, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 80x80x10cm

Poems by, 2022, text on paper, 21 x 350 cm
Photos: Rudolf Strobl, Silvia Bertoldo

He finds it hard to see the button, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm

He finds it hard to see the button, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm

Makes Us Stronger, 2022, collected fabric remnants, yarn, steel, 110x90cm

Bougie on a budget, 2022, chrome plated steel, rubber tires, 150 x 92 x 41cm

Site-specific object, GMK Gallery Zagreb, 2021

Exhibition view, GMK Gallery, Zagreb, 2021

Exhibition view, GMK Gallery, Zagreb, 2021

Bougie on a budget II, 2022, chrome-plated steel, rubber tires, 92x100x75cm

Site-specific object, GMK Gallery Zagreb, 2021

The scorpion likes to chase a care, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm

The scorpion likes to chase a care, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm

Site-specific object, GMK Gallery Zagreb, 2021

He finds it hard to see the pocket, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 80x80x10cm

Exhibition view, Künsterlhaus Vienna

Exhibition view, Yuan Art Museum Tianjin China

Ever After, 2022, collected fabric remnants, yarn, steel, 70x70cm

She is but a cute catwalk, 2022, digital print on fabric, paper pulp, wallpaper adhesive, acrylic gel, 150x120x10cm

Site-specific object, GMK Gallery Zagreb, 2021

Exhibition view, Yuan Art Museum Tianjin China

Exhibition view, Yuan Art Museum Tianjin China

Site-specific object, Modern Art Base Gallery, Shanghai, 2019

Site-specific object, GMK Gallery Zagreb, 2021

She is but a trendy deal, 2022, Full HD, color, sound, 15“39‘.
Video excerpt.

Each Poison, A Pillow
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